There is a lightness of touch in Devlin’s work. We encounter it in the use of conversation for instance in Drazen where Devlin and a friend sit at a café drinking coffee and discussing the nature of coffee and the performance of its making. His friend speaks of a coffee maker whose reputation draws people to seek him out to taste the magical combination of flavours and to experience its philosophy, by implication becoming something of a quest. He speaks with a persuasive authority lightly subverted when we discover he himself has never tried it, only heard about it and been drawn by the allure.